專 任 助 理 教 授
學 歷
德國海德堡大學東亞藝術史博士
英國格拉斯哥大學中國藝術史碩士
寧波諾丁漢大學學士
經 歷
香港浸會大學研究助理教授 (2022-2025)
香港中文大學中國研究中心講師（兼任）(2024)
德國Joint Center for Advanced Studies “Worldmaking from a Global Perspective: A Dialogue with China”海德堡大學研究員 (2022)
東京大學東洋文化研究所訪問學者 (2018)
京都大學訪問研究員 (2017-2018)
北京故宮書畫部研究助理 (2014)
專 長
中國繪畫史 (Chinese painting)
明清視覺物質文化 (Ming-Qing visual and material culture)
性別研究、女性藝術 (gender studies, women artists)
植物人文 (plant humanities)
中日韓藝術交流 (Sino-Japanese and Sino-Korean artistic exchanges)
近代東亞攝影 (early East Asian Photography)
學 術 論 文
“Rootless Orchids Could Travel: Transplanting a Chinese Plant Iconography in the Early Modern World.” In Plants and Gardens as Artefacts in Transcultural Contexts: Between Asia and Europe, edited by Minna Törmä, 55-79. New York: Routledge, 2025. http://doi.org/10.4324/9781003514329-5
“When Camera Encountered ‘Chosŏn Beauties’: Kisaeng Photographs, Postcards, and Tourism from the 1880s to Colonial-Period Korea.” In Cultural Exchanges between Korea and the West: Artifacts and Intangible Heritage, edited by Jong-Chol An and Ariane Perrin, 169-192. Venice: Edizioni Ca’ Foscari (Ca’ Foscari University of Venice Press), 2023. http://doi.org/10.30687/978-88-6969-717-3/008
“Portraiture as Fiction and Metaphors: The Debut and Apex of Courtesan Portraits in Imperial China.” In On Portraiture. Theory, Practice and Fiction. From Francisco de Holanda to Susan Sontag, edited by Gschwend, A. J., Fernando, J. P. & Gamito, M., 218-233. Lisbon: Centro de Investigação e de Estudos em Belas Artes, Faculdade de Belas-Artes, Universidade de Lisboa (Faculty of Fine Arts, University of Lisbon), 2022.
“Ten Categories for Beautiful Women in Ming-Qing Period: A Trans-media Study of Porcelain held in the Porzellansammlung, Staatliche Kunstsammlungen Dresden.” In Women Cross Media: East Asian Photography, Prints and Porcelain from the Staatliche Kunstsammlungen Dresden, edited by Sarah E. Fraser, Mio Wakita, and Lianming Wang, 209-222. Heidelberg: Heidelberg University Library, arthistoricum.net, 2022. (Open Access). https://doi.org/10.11588/arthistoricum.995.c13787
“Beauties Moving from Jiangnan to Edo: Kanō Tan’yū’s Visual Transmission of Chinese Female-Figure Paintings” 美人移動，從江南到江戶：狩野探幽對中國仕女圖的傳移模寫. Special Issue “Gender, Knowledge, lmage: A new way of Sinology in East Asia.” Chung Cheng Chinese Studies 中正漢學研究 37 (2021): 73-114. (THCI Core)
“Motifs Travelled with Intentions: Mapping Tang China and the World through Pictorial Screens in Nara Period Japan (710-794).” In China and the World—the World and China—A Transcultural Perspective, Volume 1: The World of Pre-modern China, edited by Joachim Gentz, 171-199. Gossenberg: OSTASIEN Verlag, 2019.
“The Origin, Transformation, and Representation of the Double Lotus.” Ming Qing Studies 2014: 205-256.
書 評
(Book Review) “從硯台看清初工匠文人—評介The Social Life of Inkstones: Artisans and Scholars in Early Qing China.” Research on Women in Modern Chinese History近代中國婦女史研究 32 (2018): 197-211. (THCI Core)
研 討 會 論 文（ 選 ）
“Botanical Illustrations of Dandelions, Crisis, and Women in Early Modern China,” conference “Plants and People: The Cultivation and Propagation of Botanical Knowledge among Non-Professional Communities, c.1600–1800,” University of Cambridge, UK. (July 2025)
“Musiking as a Method of Negotiating Gender Identities in Ming Dynasty Paintings,” conference “Sensory Subjectivities: Early Modern Sensory Experiences,” University of Oxford, UK. (June 2024)
“Willows in Troubled Times: Ecology, Gender, and Apocalypses in Gong Xian’s (1619-1689) Paintings and Theory,” the Young Scholars’ Forum in Chinese Studies 2024, co-organized by Chiang Ching-kuo Foundation Asia-Pacific Centre for Chinese Studies and Institute of Chinese Studies, The Chinese University of Hong Kong, Hong Kong. (May 2024)
“The Politics of Female Alliance through an Orchid Album in Late Imperial China” (Panel: The Power of Community), the 2023 Feminist Art History Conference, American University, Washington, DC. (September/October 2023)
“A Willow as I Am: Courtesans’ Metamorphosis and ‘Stand-in’ Self-Portraits in Ming China” the 110th College Art Association of America (CAA) Annual Conference, Chicago, IL. (February 2022)
“Negotiating Eremitism and Desire: Imagery of Courtesan-Entertainers and Scholars at Jade Mountain during the Yuan-Ming Transition,” the 109th College Art Association of America (CAA) Annual Conference, New York. (February 2021)
籌 辦 研 討 會
Co-organizer, International Conference “Out of Scale: From ‘Miniature’ Material Cultures to the Anthropic Principle,” at the Courtauld Institute of Art, London. Keynote: Wei-Cheng Lin (University of Chicago) (June 16-18, 2025) LINK
Co-organizer, International Interdisciplinary Workshop “Living an Epoch with Nature: Plant and Spatial Representations in the Ming-Qing Transition,” Heidelberg University. Keynote: Anne Burkus-Chasson (University of Illinois, Urbana-Champaign) and Alison Hardie (University of Leeds) (June 7 and 9, 2022) LINK
展 覽（ 策 展 ）
Curator, Art Basel Hong Kong parallel exhibition “Paperscape” 紙象, CVA Gallery, Hong Kong Baptist University (March-April 2025)
Curator, exhibition “(E)MOTION: Digital Possibilities” 情與動：數字世界的可能 (Hong Kong section of Shenzhen Design Week 2024), Shenzhen Art Museum (April-May 2024)
Curator, Art Basel Hong Kong parallel exhibition “Ink Subversion: Through Gender Lenses (Peng Wei + AVA Artists)” 墨夬: 性別鏡像 | 彭薇 + AVA藝術家, AVA Gallery, Kai Tak Campus, Hong Kong Baptist University (March-April 2024)
Curator, exhibition “Re-Envisioning Myriad Happenings: Through Digital Lens” 創想萬物：數字之鏡 (Hong Kong section of Shenzhen Design Week 2023), Trans-disciplinary discovery commons, Hong Kong Baptist University (April-June 2023)
